Almost. The tracking reads those 3 special words: "Out For Delivery." Interestingly enough, it is still the same 3-hour window that it said it would be when UPS first picked up the box. I would think as they get closer, they could narrow that window.
If it was winter and we lived somewhere in the frozen northland, you have to let a guitar sit in the case for 24 hours to come up to temperature so the finish won't check (get cracked). Instead, we have blistering heat - high today is supposed to be 116º. Seems about right - at 11:30 am, it is 110º. My guitar is sitting in the back of that hot truck. I feel sorry for it. And the driver. Maybe they have air conditioning in the UPS trucks here in the desert? I just looked it up: no, the cargo area is not air conditioned; it further said "temperatures can reach 130º to 140º in that cargo area in the summer." Cool. Not. Hopefully, the finish isn't melting.
In the meantime, Joan is continuing work on the Fishman Loudbox amp. My involvement on this project is limited to disassembly and reassembling. A speaker needed to be removed to get to a retaining nut on the inside of the sealed speaker enclosure; yep, that's for me...
The naked amp...
Test fitting another piece of the new Tolex...
Joan getting the glue spread...
This is the detail finish work. I am staying clear.
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Just before 2:00, our Ring Cameras let us know someone was close to the front door. No doorbell, no signature required - there was a small box for Joan and a bigger box for me...
This is now officially New Guitar Day! I sliced open the box...
Paper padding and another box. And inside that box...
A gig bag...
And, inside the gig bag...
A guitar. A Paul Reed Smith (PRS) SE Studio Standard, to be specific. A hot guitar. As in: quite warm to the touch. I looked it over. It was an "Open Box" so I looked it over very close. The pick guard and pickups still have the plastic wrap on them. The hang tags are all there. It was listed as "Mint Condition" - I would say that is accurate. The white finish on it is a pearl paint job - very nice.
I tuned it up. The tuning machines/pegs seem decent. Time to take it to my music room and plug it into an amp to see how it sounds... it is all I expected. The action on it is perfect. The intonation is spot on. The frets are nicely finished (no rough edges) and the nut seems to be cut right.
I am impressed. I bought this to be a "working guitar" - the three pickups offer a good variety of tones. The guitar is comfortable to hold. It plays great. I played it for an hour or so, trying different settings and pickups. This is the "honeymoon stage," but I have been doing this for a lot of years - I can tell within a few minutes how I am going to get along with a guitar. This neck fits my hand. The tones make my ears happy. The action on this is going to be easy on my aging fingers/hand.
This is a very nice guitar. Not just "for the money," but at any price. The fact that everything is this good and the price was right, makes this a successful acquisition. Yes, I have some other very nice guitars. This solid body is a nice addition to my tonal options.
If you said, "It kinda looks like a Stratocaster, except for the headstock," I agree; no bonus points, though. I am not a fan of that all-6-tuners-on-one-side look of the Fenders. This PRS headstock reminds me a bit of my Emeralds. The guitar itself is nothing like my Emeralds - it is wood: a mahogany body, a maple neck, rosewood fretboard. A 25" scale, 22 frets. Weight is just under 8 pounds.
I spent more time with it this evening - comfortable to play sitting or standing. The body is just a bit smaller than a Strat. The pickups are 2 narrow field (NF) humbucking "deep dish" (nothing to do with pizza) that are beefier sounding than the single coils on a Strat. The bridge pickup is a 58/15 humbucker. The 5-way switch allows you combine or isolate the pickups for a good variety of tones.
It sounds great through that Fender Tone Master Deluxe Reverb Blonde amp.















